by Jon Mojo Mills Signed by Vertigo in 1970 on the crest of the jazz-rock wave, the short-lived Affinity released only one single and album before splitting. Comprised of young singer Linda Hoyle, bassist Mo Foster, guitarist Mike Jupp, keyboardist Lynton Naiff, and drummer Grant Serpell, a musical maturity was displayed, blending folk, jazz, soul, blues, and elements of contemporary psychedelia and progressive rock. Highly regarded by critics, who praised the young Hoyles powerful vocals and Naiffs inherent organ skills, it looked as if the band were to have a healthy career. Derek Jewell of The Sunday Times wrote, Naiff is already a virtuso, soul-style, and the whole group is probably the best new thing heard in the jazz-pop area this year. But although the seven-track album was well received, the band split soon after. To label their work under any one genre is a hard task, and the jazz-rock/blues-rock classification they are usually squeezed into is far from fitting. As with many other late-60s progressive acts, Affinity was just getting their footing when they split.